Febbraio 2012
20 post
REANIMATION LIBRARY →
MoMA Print Studio →
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2 massimo
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tatianaleshkina:
First Edition: A Girlcore Magazine Book Launch and Exhibition Presenting works by: Aela Labbe, Boo Saville, Ellen Rogers, Ina Jang, Julia Corsaro, Lone Eriksen, Rachael Haines, Seiko Kato, Tatania Leshkina and Tanya Johnston
Orange Dot Gallery 54 Tavistock Place, Bloomsbury, WC1H 9RG London
Exhibition runs from 2nd- 27th February
Private View: 2nd February 6pm - 9pm
RSVP:...
Gennaio 2012
71 post
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disturber-magazine:
Recommended book: Rinko Kawauchi – Illuminance
In tempi in cui danno del genio pure a chi non sa mettere a fuoco, ecco un genio vero. Rinko Kawauchi ha l’occhio di un cecchino addestratissimo che rende bello e interessante tutto quello che le capita a tiro. Se amate la bella fotografia comprate questo libro: io sono giorni che non smetto di sfogliarlo.
disturber-magazine:
Aren’t people ever getting tired of all these hipster photographs that seem taken by drunks armed with compact cameras?
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Recommended Book: Guido Guidi – A New Map of Italy →
Italian photographer, Guido Guidi began experimenting in the late 1960s with pseudo-documentary images that interrogated photography’s objectivity. Influenced by Neorealist film and Conceptual art, in the 1970s he began investigating Italy’s man-altered landscape. Working in marginal and decayed spaces with a (8”×10”) camera, Guidi creates dense sequences intended as meditations on the ...
mcginley has stopped.
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http://omfotoboken.com/2012/01/18/2011-ars-lasupplevelser/
una selezione perfetta dei migliori libri di fotografia pubblicati nel 2011.
Kodak si arrende. Senza la pellicola la fotografia... →
“Tutto quello che è digitale è taroccato. Non si può parlare di fotografia in quel caso ma di immagine”. Gianni Berengo Gardin
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New York Names Christopher Anderson... →
Benjamin Buchloh on Richard Avedon and Irving Penn
“Their emphasis on the persistence of the photographic and pictorial category of the portrait is as desperate as that of the depicted “subjects” themselves, whom they retrieve in the desperate forms of eccentricity and transform into spectacle as freaks and the victims of their own attempt to shore up traditional bourgeois conceptions of originality and individuality.”
The apparition of these faces in the crowd; petals on a wet, black bough.
– Ezra Pound
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Nigel Shafran’s ‘Compost Pictures 2008-9’ at Charleston
A film about Nigel Shafran’s exhibition ‘Compost Pictures 2008-9’ at Charleston, from 2 April to 13 June 2010. Narrated by Celia Davies, Head of Projects, Photoworks. Filmed and edited by Niall Quin